Liani/Sandbox Two: Difference between revisions
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==Why a Circle?== | |||
(Why not a Triangle, or a Square, or even a icosidodecahedron?) | |||
(Too Pointy, Too Rigid, Too Vulcan) | |||
Writing in a circle allows us the chance to explore different styles and ideas than we would under normal circumstances. The circle provides a means to keep the writer from falling into the rut of using the same tropes, the same path for each story. It challenges them to solve puzzles like “How the hell am I supposed to use that in this story?”- as the writer figures it out their mind expands and they are able to approach their writing with a new tool or method. | |||
A circle isn’t just about challenging though- it’s also about fellowship and support. Writing the story is a solitary experience but the end product is meant to be a shared meal. When you write with a group- each intent on the same theme and devices- you see how each person approached the problem, it gives you an appreciation of how clever and nimble the human mind can be- and just as solving the problem yourself enables you to be more clever in your approach to writing- seeing it through anothers grants you a bit of their cleverness. | |||
Finally, affirmation. A circle doesn’t necessarily stand around to critique your writing, judge your word choice- or your questionable use of punctuation. They sit with you and affirm the positive they see, and encourage your creativity so that you become stronger. I’m not arguing for a critiqueless system- but I think that each writer will find those they trust to judge their work soundly- and can go to them when they’re looking for how they can improve on a technical level. | |||
==Ship Based or Personal Initiative:== | |||
So, I originally posed this idea to Raj as a ship based sort of circle. We’d create a name for our own ship circle page and then go from there writing stories and so on, more or less as described above and below. And with luck other ships would be something like “OMG- totes sweetness!” at least on an emotional level and join in, and then we’d have the Garuda Circle, and the SB118 circle and so on. And that is still one way to go about it- but it could also mean one ship has two writers, one has three ,one has one.. and so on- which would make for lonely circles- so option two then is we just make it one big circle. Anyone who is interested says “Hi- I’d like to join, ay?” and we add their name to the great big list of other names and they join in. And then we get huge long pages of stories to read and compare, and it’d be amazing! | |||
==The Point of Devices== | |||
I’ve created a table of Devices, there are more out there to be sure, and list I started with got cut by a small chunk. I didn’t see any value in forcing someone to write ‘ad hominem’ attacks in a story, for example. The devices that remain range from everyday items to the truly archaic. I chose to include them along with themes since being forced to include them in a story makes them a lot like puzzle pieces that you have to work your mind around. The table is pretty self explanatory roll this, then that, then this again and see what ya get. | |||
==The Format:== | |||
Either monthly or bi-weekly, the person in charge rolls up the theme and then the devices and creates a page for it, taking a moment to give an overview of everything- then people would write and submit their stories either to a google group for the project or in a forum section we might make for it. Then, in the order they’re given, each story is posted onto the wiki page. After everything is turned in, the list is formatted into an ebook and linked somewhere- and we restart the process. | |||
{|class="infobox" align="right" | |||
!The Mystical Library of Atlantis | |||
|- | |||
!{{Logo|USS Atlantis}} | |||
|- | |||
!USS Atlantis | |||
|- | |||
| | |||
<center> '''The Circle's Archive''' | |||
{{s|Atlantis Circle|Theme/Date}} <br> | |||
'''Fleet Circles''' <br> | |||
{{s|Garuda Circle|Garuda Circle}} <br> | |||
SB118 OPS Circle<br> | |||
Appolo-A Circle <br> </center> | |||
|} | |||
{{LCARS-bar-left|[http://www.starbase118.net starbase118.net <br> <small>Explore With Us</small>]}} | {{LCARS-bar-left|[http://www.starbase118.net starbase118.net <br> <small>Explore With Us</small>]}} | ||
*Create a header using the circles title: The Mystical Library of Atlantis (I think that's what was wanted) | *Create a header using the circles title: The Mystical Library of Atlantis (I think that's what was wanted) | ||
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[http://literarydevices.net/accumulation Accumulation] | [http://literarydevices.net/accumulation Accumulation] | ||
<br> | <br> | ||
<!-- | |||
Literary Devices-- (d) is for delete (k) is for keep (q) is for questionable <br> | Literary Devices-- (d) is for delete (k) is for keep (q) is for questionable <br> | ||
Accumulation (k) | Accumulation (k) | ||
Line 245: | Line 287: | ||
Zeugma (k) | Zeugma (k) | ||
Zoomorphism (k) | Zoomorphism (k) --> | ||
{| border='2' cellspacing='0' | {{SectionRounded|Roll 1d6 to determine the number of Devices used.|Black}} | ||
{| border='2' cellspacing='0' align="center" | |||
|- | |- | ||
! style="background:White; width:120px;" | '''1d8-1''' | ! style="background:White; width:120px;" | '''1d8-1''' | ||
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! style="background:#E6E6E6;" | [http://literarydevices.net/diction Diction ] | ! style="background:#E6E6E6;" | [http://literarydevices.net/diction Diction ] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/doppelganger Doppelganger ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/doppelganger Doppelganger ] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/double-entendre | ! style="background:#E6E6E6;" | [http://literarydevices.net/double-entendre D.Entendre] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/ellipsis Ellipsis ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/ellipsis Ellipsis ] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/epigraph Epigraph] | ! style="background:#E6E6E6;" | [http://literarydevices.net/epigraph Epigraph] | ||
Line 356: | Line 399: | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/exemplum Exemplum] | ! style="background:#B8B8B8;" | [http://literarydevices.net/exemplum Exemplum] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/exposition Exposition] | ! style="background:#E6E6E6;" | [http://literarydevices.net/exposition Exposition] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/extended-metaphor | ! style="background:#B8B8B8;" | [http://literarydevices.net/extended-metaphor E.Metaphor] | ||
|- | |- | ||
! style="background:White | 3 | ! style="background:White | 3 | ||
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! style="background:#E6E6E6;" | [http://literarydevices.net/fable Fable ] | ! style="background:#E6E6E6;" | [http://literarydevices.net/fable Fable ] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/fallacy Fallacy ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/fallacy Fallacy ] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/flash-forward | ! style="background:#E6E6E6;" | [http://literarydevices.net/flash-forward F-Forward] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/flashback Flashback ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/flashback Flashback ] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/foil Foil] | ! style="background:#E6E6E6;" | [http://literarydevices.net/foil Foil] | ||
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! style="background:White | 4 | ! style="background:White | 4 | ||
! style="background:#B8B8B8;" | 1 | ! style="background:#B8B8B8;" | 1 | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/free-Verse Free Verse ] | ! style="background:#E6E6E6;" | [http://literarydevices.net/free-Verse Free-Verse ] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/haiku Haiku ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/haiku Haiku ] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/half-rhyme Half Rhyme ] | ! style="background:#E6E6E6;" | [http://literarydevices.net/half-rhyme Half-Rhyme ] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/hamartia Hamartia ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/hamartia Hamartia ] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/homograph Homograph] | ! style="background:#E6E6E6;" | [http://literarydevices.net/homograph Homograph] | ||
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! style="background:#B8B8B8;" | 2 | ! style="background:#B8B8B8;" | 2 | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/nemesis Nemesis ] | ! style="background:#E6E6E6;" | [http://literarydevices.net/nemesis Nemesis ] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/non-sequitur Non Sequitur ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/non-sequitur Non-Sequitur ] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/onomatopoeia Onomatopoeia ] | ! style="background:#E6E6E6;" | [http://literarydevices.net/onomatopoeia Onomatopoeia ] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/oxymoron Oxymoron ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/oxymoron Oxymoron ] | ||
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! style="background:#B8B8B8;" | [http://literarydevices.net/parrhesia Parrhesia ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/parrhesia Parrhesia ] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/pastiche Pastiche] | ! style="background:#E6E6E6;" | [http://literarydevices.net/pastiche Pastiche] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/pathetic-fallacy | ! style="background:#B8B8B8;" | [http://literarydevices.net/pathetic-fallacy P-Fallacy] | ||
|- | |- | ||
! style="background:White | 5 | ! style="background:White | 5 | ||
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! style="background:#B8B8B8;" | [http://literarydevices.net/personification Personification ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/personification Personification ] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/plot Plot] | ! style="background:#E6E6E6;" | [http://literarydevices.net/plot Plot] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/poetic-justice Poetic Justice ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/poetic-justice Poetic-Justice ] | ||
|- | |- | ||
! style="background:White | 6 | ! style="background:White | 6 | ||
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! style="background:#B8B8B8;" | [http://literarydevices.net/pun Pun ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/pun Pun ] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/red-herring Red Herring ] | ! style="background:#E6E6E6;" | [http://literarydevices.net/red-herring Red Herring ] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/reductio-ad-absurdum | ! style="background:#B8B8B8;" | [http://literarydevices.net/reductio-ad-absurdum R.A.Absurdum] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/rhyme Rhyme] | ! style="background:#E6E6E6;" | [http://literarydevices.net/rhyme Rhyme] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/rhythm Rhythm] | ! style="background:#B8B8B8;" | [http://literarydevices.net/rhythm Rhythm] | ||
Line 461: | Line 504: | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/sarcasm Sarcasm ] | ! style="background:#E6E6E6;" | [http://literarydevices.net/sarcasm Sarcasm ] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/satire Satire ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/satire Satire ] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/self-fulfilling-prophecy | ! style="background:#E6E6E6;" | [http://literarydevices.net/self-fulfilling-prophecy S.F.P ] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/sesquipedalian Sesquipedalian ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/sesquipedalian Sesquipedalian ] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/sibilance Sibilance] | ! style="background:#E6E6E6;" | [http://literarydevices.net/sibilance Sibilance] | ||
Line 477: | Line 520: | ||
! style="background:White | 7 | ! style="background:White | 7 | ||
! style="background:#B8B8B8;" | 1 | ! style="background:#B8B8B8;" | 1 | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/stream-of-consciousness | ! style="background:#E6E6E6;" | [http://literarydevices.net/stream-of-consciousness S of C] | ||
! style="background:#B8B8B8;" | [http://literarydevices.net/superlative Superlative ] | ! style="background:#B8B8B8;" | [http://literarydevices.net/superlative Superlative ] | ||
! style="background:#E6E6E6;" | [http://literarydevices.net/syllogism Syllogism] | ! style="background:#E6E6E6;" | [http://literarydevices.net/syllogism Syllogism] | ||
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|} | |} | ||
<br> | <br> | ||
{{SectionRounded|Roll 1d100 for Theme|Black}} | |||
{| border='2' cellspacing='0' align="center" | |||
|- | |||
! style="background:White; width:50px;" | '''#''' | |||
! style="background:White; width:400px;" | '''Theme''' | |||
! style="background:White; width:50px;" | '''#''' | |||
! style="background:White; width:400px;" | '''Theme''' | |||
|- | |||
! style="background:#E6E6E6;”| 1 | |||
! style="background:#B8B8B8;" | Beauty of Simplicity | |||
! style="background:#E6E6E6;" | 2 | |||
! style="background:#B8B8B8;" | Capitalism – effect on the individual | |||
|- | |||
! style="background:#E6E6E6;" | 3 | |||
! style="background:#B8B8B8;" | Change of power - necessity | |||
! style="background:#E6E6E6;" | 4 | |||
! style="background:#B8B8B8;" | Change versus tradition | |||
|- | |||
! style="background:#E6E6E6;" | 5 | |||
! style="background:#B8B8B8;" | Chaos and order | |||
! style="background:#E6E6E6;" | 6 | |||
! style="background:#B8B8B8;" | Character – destruction, building up | |||
|- | |||
! style="background:#E6E6E6;" | 7 | |||
! style="background:#B8B8B8;" | Circle of life | |||
! style="background:#E6E6E6;" | 8 | |||
! style="background:#B8B8B8;" | Coming of age | |||
|- | |||
! style="background:#E6E6E6;" | 9 | |||
! style="background:#B8B8B8;" | Communication – verbal and nonverbal | |||
! style="background:#E6E6E6;" | 10 | |||
! style="background:#B8B8B8;" | Companionship as salvation | |||
|- | |||
! style="background:#E6E6E6;" | 11 | |||
! style="background:#B8B8B8;" | Convention and rebellion | |||
! style="background:#E6E6E6;" | 12 | |||
! style="background:#B8B8B8;" | Dangers of ignorance | |||
|- | |||
! style="background:#E6E6E6;" | 13 | |||
! style="background:#B8B8B8;" | Darkness and light | |||
! style="background:#E6E6E6;" | 14 | |||
! style="background:#B8B8B8;" | Death – inevitable or tragedy | |||
|- | |||
! style="background:#E6E6E6;" | 15 | |||
! style="background:#B8B8B8;" | Desire to escape | |||
! style="background:#E6E6E6;" | 16 | |||
! style="background:#B8B8B8;" | Destruction of beauty | |||
|- | |||
! style="background:#E6E6E6;" | 17 | |||
! style="background:#B8B8B8;" | Disillusionment and dreams | |||
! style="background:#E6E6E6;" | 18 | |||
! style="background:#B8B8B8;" | Displacement | |||
|- | |||
! style="background:#E6E6E6;" | 19 | |||
! style="background:#B8B8B8;" | Empowerment | |||
! style="background:#E6E6E6;" | 20 | |||
! style="background:#B8B8B8;" | Emptiness of attaining a false dream | |||
|- | |||
! style="background:#E6E6E6;" | 21 | |||
! style="background:#B8B8B8;" | Everlasting love | |||
! style="background:#E6E6E6;" | 22 | |||
! style="background:#B8B8B8;" | Evils of racism | |||
|- | |||
! style="background:#E6E6E6;" | 23 | |||
! style="background:#B8B8B8;" | Facing darkness | |||
! style="background:#E6E6E6;" | 24 | |||
! style="background:#B8B8B8;" | Facing reality | |||
|- | |||
! style="background:#E6E6E6;" | 25 | |||
! style="background:#B8B8B8;" | Fading beauty | |||
! style="background:#E6E6E6;" | 26 | |||
! style="background:#B8B8B8;" | Faith versus doubt | |||
|- | |||
! style="background:#E6E6E6;" | 27 | |||
! style="background:#B8B8B8;" | Family – blessing or curse | |||
! style="background:#E6E6E6;" | 28 | |||
! style="background:#B8B8B8;" | Fate and freewill | |||
|- | |||
! style="background:#E6E6E6;" | 29 | |||
! style="background:#B8B8B8;" | Fear of failure | |||
! style="background:#E6E6E6;" | 30 | |||
! style="background:#B8B8B8;" | Female roles | |||
|- | |||
! style="background:#E6E6E6;" | 31 | |||
! style="background:#B8B8B8;" | Fulfillment | |||
! style="background:#E6E6E6;" | 32 | |||
! style="background:#B8B8B8;" | Good versus bad | |||
|- | |||
! style="background:#E6E6E6;" | 33 | |||
! style="background:#B8B8B8;" | Greed as downfall | |||
! style="background:#E6E6E6;" | 34 | |||
! style="background:#B8B8B8;" | Growing up – pain or pleasure | |||
|- | |||
! style="background:#E6E6E6;" | 35 | |||
! style="background:#B8B8B8;" | Hazards of passing judgment | |||
! style="background:#E6E6E6;" | 36 | |||
! style="background:#B8B8B8;" | Heartbreak of betrayal | |||
|- | |||
! style="background:#E6E6E6;" | 37 | |||
! style="background:#B8B8B8;" | Heroism – real and perceived | |||
! style="background:#E6E6E6;" | 38 | |||
! style="background:#B8B8B8;" | Hierarchy in nature | |||
|- | |||
! style="background:#E6E6E6;" | 39 | |||
! style="background:#B8B8B8;" | Identity crisis | |||
! style="background:#E6E6E6;" | 40 | |||
! style="background:#B8B8B8;" | Illusion of power | |||
|- | |||
! style="background:#E6E6E6;" | 41 | |||
! style="background:#B8B8B8;" | Immortality | |||
! style="background:#E6E6E6;" | 42 | |||
! style="background:#B8B8B8;" | Individual versus society | |||
|- | |||
! style="background:#E6E6E6;" | 43 | |||
! style="background:#B8B8B8;" | Inner versus outer strength | |||
! style="background:#E6E6E6;" | 44 | |||
! style="background:#B8B8B8;" | Injustice | |||
|- | |||
! style="background:#E6E6E6;" | 45 | |||
! style="background:#B8B8B8;" | Isolation | |||
! style="background:#E6E6E6;" | 46 | |||
! style="background:#B8B8B8;" | Isolationism - hazards | |||
|- | |||
! style="background:#E6E6E6;" | 47 | |||
! style="background:#B8B8B8;" | Knowledge versus ignorance | |||
! style="background:#E6E6E6;" | 48 | |||
! style="background:#B8B8B8;" | Loneliness as destructive force | |||
|- | |||
! style="background:#E6E6E6;" | 49 | |||
! style="background:#B8B8B8;" | Losing hope | |||
! style="background:#E6E6E6;" | 50 | |||
! style="background:#B8B8B8;" | Loss of innocence | |||
|- | |||
! style="background:#E6E6E6;" | 51 | |||
! style="background:#B8B8B8;" | Lost honor | |||
! style="background:#E6E6E6;" | 52 | |||
! style="background:#B8B8B8;" | Lost love | |||
|- | |||
! style="background:#E6E6E6;" | 53 | |||
! style="background:#B8B8B8;" | Love and sacrifice | |||
! style="background:#E6E6E6;" | 54 | |||
! style="background:#B8B8B8;" | Man against nature | |||
|- | |||
! style="background:#E6E6E6;" | 55 | |||
! style="background:#B8B8B8;" | Manipulation | |||
! style="background:#E6E6E6;" | 56 | |||
! style="background:#B8B8B8;" | Materialism as downfall | |||
|- | |||
! style="background:#E6E6E6;" | 57 | |||
! style="background:#B8B8B8;" | Motherhood | |||
! style="background:#E6E6E6;" | 58 | |||
! style="background:#B8B8B8;" | Names – power and significance | |||
|- | |||
! style="background:#E6E6E6;" | 59 | |||
! style="background:#B8B8B8;" | Nationalism – complications | |||
! style="background:#E6E6E6;" | 60 | |||
! style="background:#B8B8B8;" | Nature as beauty | |||
|- | |||
! style="background:#E6E6E6;" | 61 | |||
! style="background:#B8B8B8;" | Necessity of work | |||
! style="background:#E6E6E6;" | 62 | |||
! style="background:#B8B8B8;" | Oppression of women | |||
|- | |||
! style="background:#E6E6E6;" | 63 | |||
! style="background:#B8B8B8;" | Optimism – power or folly | |||
! style="background:#E6E6E6;" | 64 | |||
! style="background:#B8B8B8;" | Overcoming – fear, weakness, vice | |||
|- | |||
! style="background:#E6E6E6;" | 65 | |||
! style="background:#B8B8B8;" | Patriotism – positive side or complications | |||
! style="background:#E6E6E6;" | 66 | |||
! style="background:#B8B8B8;" | Power and corruption | |||
|- | |||
! style="background:#E6E6E6;" | 67 | |||
! style="background:#B8B8B8;" | Power of silence | |||
! style="background:#E6E6E6;" | 68 | |||
! style="background:#B8B8B8;" | Power of tradition | |||
|- | |||
! style="background:#E6E6E6;" | 69 | |||
! style="background:#B8B8B8;" | Power of wealth | |||
! style="background:#E6E6E6;" | 70 | |||
! style="background:#B8B8B8;" |Power of words | |||
|- | |||
! style="background:#E6E6E6;" | 71 | |||
! style="background:#B8B8B8;" |Pride and downfall | |||
! style="background:#E6E6E6;" | 72 | |||
! style="background:#B8B8B8;" |Progress – real or illusion | |||
|- | |||
! style="background:#E6E6E6;" | 73 | |||
! style="background:#B8B8B8;" |Quest for discovery | |||
! style="background:#E6E6E6;" | 74 | |||
! style="background:#B8B8B8;" |Quest for power | |||
|- | |||
! style="background:#E6E6E6;" | 75 | |||
! style="background:#B8B8B8;" |Rebirth | |||
! style="background:#E6E6E6;" | 76 | |||
! style="background:#B8B8B8;" |Reunion | |||
|- | |||
! style="background:#E6E6E6;" | 77 | |||
! style="background:#B8B8B8;" |Role of men | |||
! style="background:#E6E6E6;" | 78 | |||
! style="background:#B8B8B8;" |Role of Religion – virtue or hypocrisy | |||
|- | |||
! style="background:#E6E6E6;" | 79 | |||
! style="background:#B8B8B8;" |Role of women | |||
! style="background:#E6E6E6;" | 80 | |||
! style="background:#B8B8B8;" |Self – inner and outer | |||
|- | |||
! style="background:#E6E6E6;" | 81 | |||
! style="background:#B8B8B8;" |Self-awareness | |||
! style="background:#E6E6E6;" | 82 | |||
! style="background:#B8B8B8;" | Self-preservation | |||
|- | |||
! style="background:#E6E6E6;" | 83 | |||
! style="background:#B8B8B8;" | Self-reliance | |||
! style="background:#E6E6E6;" | 84 | |||
! style="background:#B8B8B8;" | Social mobility | |||
|- | |||
! style="background:#E6E6E6;" | 85 | |||
! style="background:#B8B8B8;" | Technology in society – good or bad | |||
! style="background:#E6E6E6;" | 86 | |||
! style="background:#B8B8B8;" | Temporary nature of physical beauty | |||
|- | |||
! style="background:#E6E6E6;" | 87 | |||
! style="background:#B8B8B8;" | Temptation and destruction | |||
! style="background:#E6E6E6;" | 88 | |||
! style="background:#B8B8B8;" | Totalitarianism | |||
|- | |||
! style="background:#E6E6E6;" | 89 | |||
! style="background:#B8B8B8;" | Vanity as downfall | |||
! style="background:#E6E6E6;" | 90 | |||
! style="background:#B8B8B8;" | Vulnerability of the meek | |||
|- | |||
! style="background:#E6E6E6;" | 91 | |||
! style="background:#B8B8B8;" | Vulnerability of the strong | |||
! style="background:#E6E6E6;" | 92 | |||
! style="background:#B8B8B8;" | War – glory, necessity, pain, tragedy | |||
|- | |||
! style="background:#E6E6E6;" | 93 | |||
! style="background:#B8B8B8;" | Will to survive | |||
! style="background:#E6E6E6;" | 94 | |||
! style="background:#B8B8B8;" | Wisdom of experience | |||
|- | |||
! style="background:#E6E6E6;" | 95 | |||
! style="background:#B8B8B8;" | Working class struggles | |||
! style="background:#E6E6E6;" | 96 | |||
! style="background:#B8B8B8;" | Youth and beauty | |||
|- | |||
! style="background:#E6E6E6;" | 97 | |||
! style="background:#B8B8B8;" | Monster of the Week | |||
! style="background:#E6E6E6;" | 98 | |||
! style="background:#B8B8B8;" | Genre Crossover | |||
|- | |||
! style="background:#E6E6E6;" | 99 | |||
! style="background:#B8B8B8;" | Horror | |||
! style="background:#E6E6E6;" | 100 | |||
! style="background:#B8B8B8;" | B-Movie | |||
|} | |||
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Themes: | Themes: | ||
Beauty of simplicity | Beauty of simplicity | ||
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Wisdom of experience | Wisdom of experience | ||
Working class struggles | Working class struggles | ||
Youth and beauty | Youth and beauty --> | ||
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A brief description of this months theme and devices, and potential links to authors and examples. | A brief description of this months theme and devices, and potential links to authors and examples. | ||
<br> | <br> | ||
{{SectionRounded|Number and Title, 1. There is a Monkey in Warp Core|Black}} | {{SectionRounded|Number and Title, 1. There is a Monkey in the Warp Core|Black}} | ||
{| border='2' cellspacing='0' align="center" | {| border='2' cellspacing='0' align="center" | ||
|- | |- |
Latest revision as of 23:30, 21 January 2015
Why a Circle?
(Why not a Triangle, or a Square, or even a icosidodecahedron?) (Too Pointy, Too Rigid, Too Vulcan)
Writing in a circle allows us the chance to explore different styles and ideas than we would under normal circumstances. The circle provides a means to keep the writer from falling into the rut of using the same tropes, the same path for each story. It challenges them to solve puzzles like “How the hell am I supposed to use that in this story?”- as the writer figures it out their mind expands and they are able to approach their writing with a new tool or method.
A circle isn’t just about challenging though- it’s also about fellowship and support. Writing the story is a solitary experience but the end product is meant to be a shared meal. When you write with a group- each intent on the same theme and devices- you see how each person approached the problem, it gives you an appreciation of how clever and nimble the human mind can be- and just as solving the problem yourself enables you to be more clever in your approach to writing- seeing it through anothers grants you a bit of their cleverness.
Finally, affirmation. A circle doesn’t necessarily stand around to critique your writing, judge your word choice- or your questionable use of punctuation. They sit with you and affirm the positive they see, and encourage your creativity so that you become stronger. I’m not arguing for a critiqueless system- but I think that each writer will find those they trust to judge their work soundly- and can go to them when they’re looking for how they can improve on a technical level.
Ship Based or Personal Initiative:
So, I originally posed this idea to Raj as a ship based sort of circle. We’d create a name for our own ship circle page and then go from there writing stories and so on, more or less as described above and below. And with luck other ships would be something like “OMG- totes sweetness!” at least on an emotional level and join in, and then we’d have the Garuda Circle, and the SB118 circle and so on. And that is still one way to go about it- but it could also mean one ship has two writers, one has three ,one has one.. and so on- which would make for lonely circles- so option two then is we just make it one big circle. Anyone who is interested says “Hi- I’d like to join, ay?” and we add their name to the great big list of other names and they join in. And then we get huge long pages of stories to read and compare, and it’d be amazing!
The Point of Devices
I’ve created a table of Devices, there are more out there to be sure, and list I started with got cut by a small chunk. I didn’t see any value in forcing someone to write ‘ad hominem’ attacks in a story, for example. The devices that remain range from everyday items to the truly archaic. I chose to include them along with themes since being forced to include them in a story makes them a lot like puzzle pieces that you have to work your mind around. The table is pretty self explanatory roll this, then that, then this again and see what ya get.
The Format:
Either monthly or bi-weekly, the person in charge rolls up the theme and then the devices and creates a page for it, taking a moment to give an overview of everything- then people would write and submit their stories either to a google group for the project or in a forum section we might make for it. Then, in the order they’re given, each story is posted onto the wiki page. After everything is turned in, the list is formatted into an ebook and linked somewhere- and we restart the process.
The Mystical Library of Atlantis |
---|
USS Atlantis |
Theme/Date |
starbase118.net Explore With Us |
---|
- Create a header using the circles title: The Mystical Library of Atlantis (I think that's what was wanted)
- Define the circles goals and break down the main ponts
- Generate table for Devices and Themes
- Create Sidebar featuring ships logo and links to wiki pages containing the Theme/Device and Month/Year (Love & Hate/Haiku/May15) or similar
- Place recruiting link in a good spot
If someone is looking at this page and wants to review lists- you'll want to hit the edit button. Please don't change anything though w/o asking first. Thanks.
- I'm thinking you'd roll a d6 to determine the number of required devices to see used in the theme. Roll a 3 on d6 and end up with (Alliteration/Anti-Hero/Fable)
A possible way to link definitions to the devices one tabled-
Accumulation
Roll 1d6 to determine the number of Devices used.
Roll 1d100 for Theme
# | Theme | # | Theme |
---|---|---|---|
1 | Beauty of Simplicity | 2 | Capitalism – effect on the individual |
3 | Change of power - necessity | 4 | Change versus tradition |
5 | Chaos and order | 6 | Character – destruction, building up |
7 | Circle of life | 8 | Coming of age |
9 | Communication – verbal and nonverbal | 10 | Companionship as salvation |
11 | Convention and rebellion | 12 | Dangers of ignorance |
13 | Darkness and light | 14 | Death – inevitable or tragedy |
15 | Desire to escape | 16 | Destruction of beauty |
17 | Disillusionment and dreams | 18 | Displacement |
19 | Empowerment | 20 | Emptiness of attaining a false dream |
21 | Everlasting love | 22 | Evils of racism |
23 | Facing darkness | 24 | Facing reality |
25 | Fading beauty | 26 | Faith versus doubt |
27 | Family – blessing or curse | 28 | Fate and freewill |
29 | Fear of failure | 30 | Female roles |
31 | Fulfillment | 32 | Good versus bad |
33 | Greed as downfall | 34 | Growing up – pain or pleasure |
35 | Hazards of passing judgment | 36 | Heartbreak of betrayal |
37 | Heroism – real and perceived | 38 | Hierarchy in nature |
39 | Identity crisis | 40 | Illusion of power |
41 | Immortality | 42 | Individual versus society |
43 | Inner versus outer strength | 44 | Injustice |
45 | Isolation | 46 | Isolationism - hazards |
47 | Knowledge versus ignorance | 48 | Loneliness as destructive force |
49 | Losing hope | 50 | Loss of innocence |
51 | Lost honor | 52 | Lost love |
53 | Love and sacrifice | 54 | Man against nature |
55 | Manipulation | 56 | Materialism as downfall |
57 | Motherhood | 58 | Names – power and significance |
59 | Nationalism – complications | 60 | Nature as beauty |
61 | Necessity of work | 62 | Oppression of women |
63 | Optimism – power or folly | 64 | Overcoming – fear, weakness, vice |
65 | Patriotism – positive side or complications | 66 | Power and corruption |
67 | Power of silence | 68 | Power of tradition |
69 | Power of wealth | 70 | Power of words |
71 | Pride and downfall | 72 | Progress – real or illusion |
73 | Quest for discovery | 74 | Quest for power |
75 | Rebirth | 76 | Reunion |
77 | Role of men | 78 | Role of Religion – virtue or hypocrisy |
79 | Role of women | 80 | Self – inner and outer |
81 | Self-awareness | 82 | Self-preservation |
83 | Self-reliance | 84 | Social mobility |
85 | Technology in society – good or bad | 86 | Temporary nature of physical beauty |
87 | Temptation and destruction | 88 | Totalitarianism |
89 | Vanity as downfall | 90 | Vulnerability of the meek |
91 | Vulnerability of the strong | 92 | War – glory, necessity, pain, tragedy |
93 | Will to survive | 94 | Wisdom of experience |
95 | Working class struggles | 96 | Youth and beauty |
97 | Monster of the Week | 98 | Genre Crossover |
99 | Horror | 100 | B-Movie |
for the story page
Theme and Device(s)
A brief description of this months theme and devices, and potential links to authors and examples.
Number and Title, 1. There is a Monkey in the Warp Core
Image | Name | Description |
---|---|---|
Liani h'Rendria lyr'Theel'zhiin | Authors Picture First, Authors Name 2nd, and the third box will contain roughly 300 character reaction to the theme/device by the author |
((The Author's story))
:: coded for inserting into a wiki
Affirmations for Authors Name Here
Image | Name | Description |
---|---|---|
Liani h'Rendria lyr'Theel'zhiin | Pictured of the person Affirming, Full IC name of person affirming, Affirmation at 300 characters or so. |
Number and Title, 2. The Caged Tribble Purrs
Image | Name | Description |
---|---|---|
Liani h'Rendria lyr'Theel'zhiin | Authors Picture First, Authors Name 2nd, and the third box will contain roughly 300 character reaction to the theme/device by the author |
((Rinse and repeat for all authors))