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The absorption involves the morphing of the first person narrative voice into the already-extant narrative voice. For example, the first person might say something like "And then the space-time continuum changed such that I forgot everything and then found myself writing the story of Joe's life." Where Joe, of course, is the character on whom narrative voice injection had been employed in the past. | The absorption involves the morphing of the first person narrative voice into the already-extant narrative voice. For example, the first person might say something like "And then the space-time continuum changed such that I forgot everything and then found myself writing the story of Joe's life." Where Joe, of course, is the character on whom narrative voice injection had been employed in the past. | ||
This allows the second character (in this case Jessica) to be retired gracefully and with some flare. She morphs into the previous narrator. However, you should use this move with care, as you are now faced with the problem of potentially having to carry around Jessica's baggage when | This allows the second character (in this case Jessica) to be retired gracefully and with some flare. She morphs into the previous narrator. However, you should use this move with care, as you are now faced with the problem of potentially having to carry around Jessica's baggage when executing subsequent narrative voice injections. | ||
==Current Strategic Conditions== | ==Current Strategic Conditions== |
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