Chin'toka Officer's Manual/Missions: Difference between revisions

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First and foremost know that all players on the ship can affect a plot. As you will see below, all missions start with a rough plan, an idea of how the adventure could go, could being the operative word. One Captain shamelessly stole an adage 'no mission survives contact with the crew', simply to point out that missions never ended how they were envisioned. This adds to the fun.
First and foremost know that all players on the ship can affect a plot. As you will see below, all missions start with a rough plan, an idea of how the adventure could go, could being the operative word. One Captain shamelessly stole an adage 'no mission survives contact with the crew', simply to point out that missions never ended how they were envisioned. This adds to the fun.


That said, there are a few things a player can do to irk their command staff. Imagine for a moment your CO is involved in some intense negotiations with some Romulans, trying to get them to withdraw from a planet. Things are tense, but working, when a writer writes about a Hirogen ship crashing into the negotiation room. Such a plot twist is not just a twist, it would be quite outside the realm of what you might see in a typical story or episode. You are free to post what you want, but try to keep it in the realm of the story.
That said, there are a few things we ask you to keep in mind when it comes to the scope of alterations to a mission. Imagine for a moment your CO is involved in some intense negotiations with some Romulans, trying to get them to withdraw from a planet. Things are tense, but working, when a writer writes about a Hirogen ship crashing into the negotiation room. Such a plot twist is not just a twist, it would be quite outside the realm of what you might see in a typical story or episode.


While it's hard to say what's outside the 'realm of the story', a few rough guidelines are below. Before doing something like:
The level of flexibility you have in twists and alterations in a story will generally relate to both your IC and OOC position, and requires considering outcomes for both. For example, if you are playing the ranking character on an away team and are in charge of the direction that your section of the story takes, then you will have more freedom to (and be expected to) take the lead and provide direction and tags to characters serving under yours, though it is also important to consider how your scene will connect back to those of the other writers on your ship. If you and your character are currently following the lead of another writer, you may want to err more on the side of caution and contact the staff member / senior officer in the scene if you've had an idea for a bigger change. Just remember, we're always delighted to see writers show some initiative and brainstorm something interesting!
 
'''Here are some good examples of things that are always welcome, whether they come from ship staff, veteran players, or new players:'''
* Responding to actions directed at your character in ways that affect only your character. Example: Ducking behind cover after a Romulan shoot a disruptor at you, then returning fire.
* Adding things to the narrative that all writers present can respond to. As in the above example: Calling for help from your fellow officers, and writing that another Romulan fires at them as well!
* Monitoring the level of activity of the other players in your scene, and tagging less active writers. Example: Writing that a NPC redshirt with the team is hit, and calling for the Doctor to heal them.
* Handling general NPCs. Anyone gets to write for general NPCs! In the above Example: You write that several Romulans are stunned, giving the next writers the chance to decide where the scene goes next!
 
'''While it's hard to say what's outside the 'realm of the story', a few rough guidelines are below. Before doing something like:'''
* Introducing a new species into the story,
* Introducing a new species into the story,
* Destroying a ship, building, or other item important to the story,
* Destroying or crippling a ship, building, other location or item important to the story,
* Moving or affecting a large group of players.
* Moving or affecting a large group of players.
* Writing something that drastically changes the tone or direction of a scene - for example, a negotiation breaking down and turning into a firefight.
* Writing something that drastically changes the tone or direction of a scene - for example, a negotiation breaking down and turning into a firefight.

Latest revision as of 21:42, 30 August 2021

Chin'toka Officer's Manual



Akira-black.png

Chin'toka Officer's Manual

1: Expectations
2: Sim Format
3: General Tips
4: Types of Characters
  • B: the Posting
1: Ship 101
2: The Par'tha Expanse
3: The Crew
  • C: Operating Procedures
1: Missions
2: Shoreleave
3: Submit a Mission
  • D: Advanced Topics
1: Promotions
2: Secondary Characters
3: Department Heads
4: Mentors
5: OOC Activities
6: Player Achievements


NCC-97187
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Missions


First and foremost, we want you to feel comfortable being creative. Each contribution you make can affect the course of the game and we welcome it, no matter how much experience you have with the group. Your contributions can make a difference and move the story.

Continuing the Story vs Plot Twists

First and foremost know that all players on the ship can affect a plot. As you will see below, all missions start with a rough plan, an idea of how the adventure could go, could being the operative word. One Captain shamelessly stole an adage 'no mission survives contact with the crew', simply to point out that missions never ended how they were envisioned. This adds to the fun.

That said, there are a few things we ask you to keep in mind when it comes to the scope of alterations to a mission. Imagine for a moment your CO is involved in some intense negotiations with some Romulans, trying to get them to withdraw from a planet. Things are tense, but working, when a writer writes about a Hirogen ship crashing into the negotiation room. Such a plot twist is not just a twist, it would be quite outside the realm of what you might see in a typical story or episode.

The level of flexibility you have in twists and alterations in a story will generally relate to both your IC and OOC position, and requires considering outcomes for both. For example, if you are playing the ranking character on an away team and are in charge of the direction that your section of the story takes, then you will have more freedom to (and be expected to) take the lead and provide direction and tags to characters serving under yours, though it is also important to consider how your scene will connect back to those of the other writers on your ship. If you and your character are currently following the lead of another writer, you may want to err more on the side of caution and contact the staff member / senior officer in the scene if you've had an idea for a bigger change. Just remember, we're always delighted to see writers show some initiative and brainstorm something interesting!

Here are some good examples of things that are always welcome, whether they come from ship staff, veteran players, or new players:

  • Responding to actions directed at your character in ways that affect only your character. Example: Ducking behind cover after a Romulan shoot a disruptor at you, then returning fire.
  • Adding things to the narrative that all writers present can respond to. As in the above example: Calling for help from your fellow officers, and writing that another Romulan fires at them as well!
  • Monitoring the level of activity of the other players in your scene, and tagging less active writers. Example: Writing that a NPC redshirt with the team is hit, and calling for the Doctor to heal them.
  • Handling general NPCs. Anyone gets to write for general NPCs! In the above Example: You write that several Romulans are stunned, giving the next writers the chance to decide where the scene goes next!

While it's hard to say what's outside the 'realm of the story', a few rough guidelines are below. Before doing something like:

  • Introducing a new species into the story,
  • Destroying or crippling a ship, building, other location or item important to the story,
  • Moving or affecting a large group of players.
  • Writing something that drastically changes the tone or direction of a scene - for example, a negotiation breaking down and turning into a firefight.

Just send a message to a member of the staff! We're always excited to hear thoughts on how you think the story could improve.

Back Tags / Back Sims

Back Tags are tags for responses left for a player after they have already progressed past that point in the story. For instance, you are starting a sim and realize you would really like adding a boarding party being detected in the middle of your sim; however, the player action has already progressed past the point such an incursion would be detected and responded to. Adding the plot element, and then tagging the appropriate officers for a response would be a Back Tag. Back Tags lead to a myriad of problems: tags get lost by players not looking to 'go back', it sets up situations where players' future actions don't match previous events, they can cause players to need to write extra-long posts to include both the 'back tags' and future events.

Our goal is to keep the momentum of a plot moving forward, 'back tags' can often rob the story of momentum and progress as players must always 'go back' and rehash previous events.

In the case of the boarding party example from above, a more permissible way to complete the desired action would be to sim an indicator of 'something strange' and then later in the course of events sim the actual detection of the boarders. If you find yourself wanting to write backtags, consider it a challenge to not do it and find a way to accomplish your goal at the current point of the action.

If you decide you cannot write without a backtag, contact a member of the Command Staff for assistance.

Back Sims are sims you wish to write to fill in gaps in your writing, your character's backstory, or simply when you have been away for a bit and want to give your character some closure. Back Sims are permitted, provided you do not introduce back tags and realize that some other players, due to their own time constraints, might not respond. Plot Twists and similar mechanics must not be introduced in a back sim.



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